Product Description

Length: 32:57

Description: In part two (2 of 2) of this studio bass masterclass, acclaimed studio bassist Norman Ludwin shows you what it takes to become an in-demand session musician for film scores, TV shows, etc. Norman breaks down technical aspects, common cue examples, tips, tricks and advice about getting studio and recording work. If you're looking to break into the studio musician scene, this video is for you! NOTE: There is a PDF bundled with the "purchase" version of this video (not the $8.99 "rental" version) which includes Norman’s original charts. You can purchase both videos and the PDF in this series at a discount here!

Topics Covered: Example cues from different sessions, getting hired, preparation, avoiding unwanted noise while recording, sections, having the correct bass setup, playing for other bassists, improving your playing, recommendations, playing with confidence, short TV cues, hits, lyrical passages, problem solving with low notes, fingerings, sight reading, intonation, limited readings, working out passages quickly, networking, getting to know composers, high register intonation, studio etiquette, studio rules and protocol, divisi, arco to pizz passages, meter changes, clefs, syncopation, stylistic considerations on sessions, doubling, union or non-union?, hairpins, dynamics, glissando, transposition, bass maintenance, strings, sidelining work, etc.

Norman Ludwin

Dr. Norman Ludwin is a Los Angeles native who began his musical studies on the piano with his father and uncle. After early experiments with trumpet, clarinet, and bassoon, he finally settled on the string bass as his primary instrument. He attended the California Institute of the Arts, where he received his Bachelors degree in Performance in 1977.

After extensive work as a performer, Norman’s interest in composition led him to continue his studies, and in May 2003 he received his Masters degree in Composition from the California State University at Northridge.
Norman received his Doctorate in Composition from the Claremont Graduate University in 2007.

He has been a member of the Florida Symphony and co-principal bass in the Natal Philharmonic in Durban South Africa. He is currently principal bass in the Mozart Camerata, the South Bay Chamber Orchestra and the Symphony in the Glen. He has worked with the San Diego Symphony, LA Chamber Orchestra, Hollywood Bowl Orchestra, LA Opera, Pacific Symphony, Pasadena Symphony and the Long Beach Symphony.

Norman’s compositions have been performed by a variety of groups worldwide, including recent performances by the Colburn School Orchestra de Camera, the Peninsula Symphony, the California State University at Long Beach Symphony, the Orchestra of the Humanities, the Lisbon Municipal Orchestra, the Pacific Composers Forum, the Debussy Trio, and at the Britt Music Festival. He has released two CDs of his own chamber music, and his music publishing company, Ludwin Music, is the world’s largest catalogue of double bass music with over 300 titles.

He is an instructor in the UCLA Extension Film Music Department and at the Professional Musicians Local 47, where he teaches orchestration and computer notation. He is the adjunct instructor for double bass at Claremont Graduate University and teaches double bass at the Claremont Community School of Music.
He is also very active in the film-scoring world, having worked on several recent features including the recent films Up, Star Trek 2009 and Spiderman 3. He plays regularly on the TV shows Fringe and Lost.

Website: http://yhst-84966394805630.stores.yahoo.net/info.html