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Caris Visentin Liebman (Ear Training and Transcription)

Caris Visentin Liebman (Ear Training and Transcription)

Movable Do Solfege, Sight Recognition, Sol Fa Studies and Muscular Memory, Solo Transcription, Etc.
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Length: 54:42

 

Description: Caris presents (Movable Do) Ear Training techniques and their creative applications. She also explains the Solo Transcription process through an approach that internalizes solos based on hearing and singing them first rather than simply reading the transcriptions in a one dimensional physical exercise between the eyes and fingers. The purpose of this lecture is to make the musician self- sufficient by developing the ability to inner hear, accurately placing pitches through muscular memory and then executing the sounds or emulating the notes as played on solos to aid in the development of one’s personal improvisational language. Presented here are many techniques to expand the ear’s aural awareness of pitch and musical possibilities through suggested exercises. NOTE: There is a small PDF bundled with the download version of this video (not the $8.99 streaming version) which includes some materials and exercises that support these concepts.

Topics Covered: Importance of Being Musically Self-Sufficient, Lowest Note and Its Applications, Internalizing and Visualizing Pitch and Intervals, Movable Do Solfege, Tendency Tones, Sight Recognition, Sol Fa Studies and Muscular Memory, Conducting, Sight Singing and Solo Transcription Through Singing, etc.


Caris Visentin Liebman (Ear Training and Transcription)

Caris Visentin Liebman (Ear Training and Transcription)

Movable Do Solfege, Sight Recognition, Sol Fa Studies and Muscular Memory, Solo Transcription, Etc.
Caris Visentin Liebman

Jazz Oboist, English Hornist, Composer & Educator

 

Artist Info:

 

Caris Visentin Liebman is a jazz oboist, English hornist, composer and educator. She has taught ear training for over 25 years as well as lecturing at institutions such as Berklee College of Music, New York University, Hot Clube Portugal among others and served as instructor of ear training for Phil Woods’ COTA Jazz Camp. She has recorded with Dave Liebman, Richie Beirach, Jack DeJohnette, Dave Holland, Billy Hart, Vic Juris, Rufus Reid, Jim McNeely and others. Her compositions can be heard on numerous recordings including Jamey Aebersold’s educational publication and CD, Contemporary Standards and Originals Vol.81. Jazz studies at Berklee College of Music and New York University (BS Jazz Composition) and with Joe Lovano, Lee Konitz, Joe Viola, George Garzone, Steve Prosser, Harvey Diamond, Jim McNeely, Bob Mintzer and Charlie Banacos.

Visit Caris Visentin Liebman Bio and Artist Page.